Changing techno from within, Stefan Goldmann has created his uniquely own form of contemporary art music. Neither constrained by the limits of electronic club music functionality nor by those of academicism, his work topics range from micro details of production to macro concepts, exposing terminal points of entire genres, formal characteristics or technical formats. His investigation into remixing might serve as an example, including both, a remix that does not change the work's score at all while cutting up dozens of recordings (Stravinsky: Le Sacre Du Printemps), and one that replaces every sound bit until the original is no longer present except for a ghostly structural shadow (Fennesz: Remiksz).
techno, ambient, experimental.
Macro Recordings, Cocoon Recordings, Perlon
Tacit Script (2019)
Buenos Aires: 2019