Fusing foreboding trance tones and barbed gabber beats with unhinged Afrocentric polyrhythms, Nkisi’s sonic practice is conceptually rich and intuitively hyper-modern. Informed by her exploratory research in psychoacoustics, a Belgian doomcore upbringing and her soft spot for Bantu-Kongo cosmology, this rule-breaking sonic sculptress plugs into many moving parts to carve out bold electronic interpolations.
Cosmic pirouettes in and around pan-African polyrhythms; serene sonic particles spiralling into full-throttle techno turmoil
UIQ, Arcola, Doomcore Records
7 Directions (2019)
She recently completed a dissertation and MA degree in psychosocial studies, which has informed her haunted acoustic investigations